Review

King's Hall, Ilkley

Wagner originally scored his Siegfried Idyll for just 18 instruments but the version for full orchestra is the one more often heard in the concert hall.

The Airedale Symphony Orchestra was conducted by John Anderson. Woodwind details were beautifully sculpted and crystal clear; strings sounded full-bodied and textures were not too thick.

There followed something of a novelty at these concerts - Domenico Zipoli’s Adagio for Oboe, Cello and orchestra (Elevazione) a sedate and delicate miniature that has become a popular choice for both weddings and funerals. ASO principal oboe Chris Garbutt was an impeccable soloist along with principal cello Tim Baker.

Next up, orchestra leader Jacqueline Cima (she had been replaced for the first two items by guest leader Ian Banks) moved centre stage to play Mozart’s Violin Concerto No 3 in G major.

This lovely concerto combines youthful exuberance with a mature treatment of thematic content; Cima’s light and expressive touch was matched by playing of sensitivity from Anderson and his ASO.

Bruckner’s Symphony No 1 in C Minor portends the Gothic grandeur of his later symphonies – particularly his monumental 8th – also in C minor. No 1 lasts around 45 minutes, is bursting with ideas and is much more concise.

A confident opening containing intricate flute and oboe solos set the tone for an accomplished performance. Bruckner’s lovely Adagio encouraged some especially fine playing from the strings. The robust playing of the G minor Scherzo was finely contrasted by the delicacy of the G minor Trio section.

The timpani were well judged not to be over-prominent and we heard some golden playing from the horns and woodwind – as always seemingly without effort surmounting the trickiest passages.

A much appreciated and rare opportunity to hear this early Bruckner symphony superbly played by the ASO and conducted by John Anderson with integrity and a sure sense of structure.

The ASO’s next King’s Hall concert is on Sunday, June 29.

Geoffrey Mogridge